Black Eyed Susan Clip Art a Journey of a Thousand Miles Begins With a Single Step
How has our engineering come up to shape us, especially following a twelvemonth when we turned to our devices for connection—when nosotros learned, loved, grieved, and shared in life milestones through our screens?
Information technology's a provocative idea that piqued the involvement of artist Moses Sumney, the rising star who turned heads in 2020 with a stunning Idiot box debut on Tardily Night with Stephen Colbert and won widespread acclaim with his double album grae. And information technology's a question he seeks to respond in technoechophenomena, his experiential audiovisual installation launching at Pioneer Works in Brooklyn's Red Hook Labs this September.
From social media self-documentation to advertising's algorithmic automation, in the midst of the repeat, what do we teach our technology—and what does it teach united states of america?
Moses Sumney
Conceived during lockdown, technoechophenomena explores the convergence of isolation and applied science, and how this relates to echophenomena—that is, the unintentional ways we pick upwards and imitate the words, sounds, and movements effectually us.
The experience begins in a custom-congenital cubic room, where visitors learn a series of gestures choreographed past Sumney. His song "Me in 20 Years" pumps through the room every bit the lights come up. Then, using Microsoft's Azure Kinect body-tracking technology, participants tin can manipulate the room. Different motions provoke responses to the light and shadows and alter the music's elements as they shift Sumney's voice through octaves, reverberations, and infinite. The engineering enables each guest to have a powerful, out-of-torso experience that is totally unique to them.
For Sumney, creating an installation that brings together music, fine art, and applied science is a reflection of how he views himself as an artist in a world where rigid categories are increasingly beingness blurred and broken down entirely.
"All of my art comes from a need to explore a concept or ask a question. I cull the all-time medium to make that inquiry," says Sumney. "Music is not always the all-time medium, although information technology is my outset. We are all consuming, all of the time. It makes sense that we would want to create in different disciplines also."
Creating and connecting with the Kinect
technoechophenomena isn't the first fourth dimension Sumney tapped music, art, and engineering science to explore new ideas. When coronavirus happened, throwing his well-laid globe bout plans for a loop, he sought out new, multi-media ways to connect with audiences.
"My ultimate goal is to have an emotional connection with people—to accept people remember of things in a fashion they haven't before, either musically or but thinking to feel," says Sumney. But how exercise y'all achieve that kind of connection when you tin can't physically interact with an audition?
"How can I brand compelling art during social distancing about isolation, without being redundant or insensitive?"
- Moses Sumney
To answer those questions, Sumney turned to frequent artistic collaborator Sam Cannon and the Azure Kinect DK. They worked together to create a striking functioning piece for his track, "Bless Me." With no in-person experience possible—no crowds, but also no low-cal evidence, no fog machine, no multi-aqueduct environs sound that near artists (and fans) use and appreciate—Sumney focused on creating an incredible video, leaning into applied science to make this 2D output feel a little more iii dimensional.
While he was social distancing in his habitation in Ashville, Northward Carolina, Cannon was working from Virginia. The two hashed out a creative treatment and capture strategy over Skype calls and email: They would co-direct the video, with Sumney setting up the Azure Kinect in his living room; Cannon would direct his movements remotely over Skype; and Sumney'south poses would be captured by the Kinect, to exist translated into stirring animations past visual artist Luigi Honorat based in Tokyo.
"The ability to hands capture the skeleton and point-cloud data from his performance opened upwardly a whole new globe of possibilities."
- Sam Cannon
"I'grand always interested in the intersection betwixt humans and machines, so I'm looking for the synthesis between fine art that feels raw, organic, and sincere—and art that exploits technological advancements, often in order to produce a critique of that same technology or modernistic social club … The vision [for this piece] is a alive performance that feels elevated beyond a typical alive video, employing hyperreal visual effects that take the viewer on a spiritual journey."
The Azure Kinect helped make this vision possible. "This is the first time I've worked with the Azure Kinect and I was very excited to introduce a new way for Moses to manipulate and command what we see," says Cannon.
Equally an creative person regularly able to transport audiences through transcendent live performances total of gut-wrenching lyrics, breathtaking vocal runs, and soaring instrumentation, Sumney proves that tech can be a tool in service of that emotional connection and magnetism—even when the audience is hundreds of miles away.
See Moses Sumney's new immersive experience
Presented by Pioneer Works at Red Hook Labs, technoechophenomena is an experiential, audiovisual installation by Moses Sumney running September 2-26, 2021.
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Source: https://inculture.microsoft.com/musicxtech/moses-sumney-azure-kinect/
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